Description A Tribe Called Quest ‎– The Low End Theory UK LP 1991 Jive HIP 117 JAZZY RAP HIP HOP. A Tribe Called Quest ‎– The Low End TheoryLabel:Jive ‎– HIP 117Format:Vinyl, LP, Album, Stereo Country:UKReleased:1991Genre:Hip HopStyle:ConsciousTracklistA1Excursions3:53A2Buggin' Out3:38A3Butter3:39A4Verses From The AbstractBass [Jazz Bass] – Ron CarterVocals – Ms. Vinia*3:59A5Rap Promoter2:13A6ScenarioFeaturing [Appear On] – Busta Rhyme*, Charlie Brown, Dinco D4:10B1The Infamous Date Rape2:54B2Check The Rhime3:36B3Everything Is Fair2:59B4Jazz (We've Got)4:09B5ShowbusinessFeaturing [Appear On] – Diamond D, Lord Jammar*, Sadat X3:53B6What?2:29Companies, etc.Distributed By – BMG (UK) Ltd.Phonographic Copyright (p) – Zomba Recording CorporationCopyright (c) – Zomba Recording CorporationRecorded At – Battery Studios, New YorkRecorded At – Greene St. RecordingRecorded At – Soundtrack StudiosMixed At – Battery Studios, New YorkMixed At – Greene St. RecordingMixed At – Soundtrack StudiosEngineered At – Battery Studios, New YorkEngineered At – Greene St. RecordingEngineered At – Soundtrack StudiosPublished By – Zomba Music Publishers Ltd.Published By – New School PublishingPublished By – Brand Nubian PublishingPublished By – Dusty Fingers MusicPublished By – Hit & Run MusicPublished By – Bridgeport Music, Inc.Published By – EMI Feist Catalog, Inc.Mastered At – DMS (2)Pressed By – DFIProduced For – Skeffington ProductionsRecord Company – Zomba Recording CorporationCreditsDesign – ZombArt JK*Engineer [Additional] – Anthony Saunders, Chris Shaw, Dan Wood, Eric Gast, Gerard Julien, Jamey Staub*, Jim Kvoriak, Marc Singleton, Pete Christensen, Rod Hui, Tim LathamIllustration [Handlettering] – ZombArt NG*Management – Chris LightyMastered By – Tom CoyneOther [Make-Up (Group Members)] – Kim YoungOther [Special Effects Make-Up (Model)] – Paddy CroftonPhotography By – Joe Grant (2)Producer – A Tribe Called Quest (tracks: A1 to B2, B4, B6), Skeff Anselm (tracks: B3, B5)Producer [Co-Producer] – A Tribe Called Quest (tracks: B3, B5)Recorded By, Mixed By – A Tribe Called Quest, Bob PowerWritten-By – A. Muhammad* (tracks: A2, A3, A5 to B5), B. Higgins* (tracks: A6), D. Murphy* (tracks: B5), P. Jackson* (tracks: A6), J. Davis*, J. Kirkland* (tracks: B5), L. Dechalus* (tracks: B5), M. Taylor* (tracks: A2, A3, A6 to B5), S. Anselm* (tracks: B3, B5), T. Smith* (tracks: A6)Written-By, Arranged By – A Tribe Called QuestNotesComes with printed inner sleeve. Manufactured in the EEC Recorded and mixed... at Battery Studios, Greene Street Studios and Soundtrack Studios. "Show Business" and "Everything Is Fair" programmed at Jazzy Jay's Studio. Published by: Zomba Music Publishers Ltd (All tracks) New School Publishing (A6) Brand Nubian Publishing (B5) Dusty Fingers Music (B5) Mastered at DMS, NYCBarcode and Other IdentifiersBarcode (Text): 5 013705 135118 >Rights Society: MCPS/BIEMMatrix / Runout (Side A label): HIP 117 A*Matrix / Runout (Side B label): HIP 117 B*Matrix / Runout (Side A stamped runout): DFI 91 8 HIP 117 A1Matrix / Runout (Side B stamped runout): DFI 91 8 HIP 117 B1 PLEASE LEAVE FEEDBACK AS THIS WILL NOTIFY ME YOU HAVE RECEIVED THEITEM Condition is "Used". Dispatched with Royal Mail 2nd Class. MEDIA CONDITION: BETWEEN G+A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear SLEEVE COVER CONDITION: G+ A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, the Inner sleeve is in vg++ condition See Photos GENERAL ITEM CONDITION: G+ see photos SEE PHOTOS FOR FURTHER DETAILS. PLEASE READ BEFORE BIDDING FROM ASMOKE FREE AND PET FREE ENVIRONMENT PAYMENTVIA PAYPAL ONLY PAYMENTWITHIN 48 HRS OF BID ENDING UK P/PFOR SINGLE 1 RECORD or DOUBLE LP IS £3.99 ANY ADDITIONAL RECORDS ADD £1.00 EACHPER RECORD FOR MULTI PACKAGE COMBINED DELIVERY or REQUEST COURIER SERVICE FORBULK PURCHASE ADDITIONAL£1.00 FOR RECORDED DELIVERY WITH TRACKER NUMBER WILLNOT TAKE RESPONSIBILITY IF ITEM IS NOT SENT RECORDED …….I KEEP PROOF OFP/P OF ALL ITEMS NOT SENT AS RECORDED DELIVERY EUROPEP/P FOR 1 RECORD £8.00 FOR ADDITIONAL LPS ADD £1 PER RECORD….. FOR RECORDED TRACKERDELIVERY REQUEST INVOICE WILLPOST LPS IN PROFESSIONAL CARD MAILER WITH STIFNERS WITHIN 24 HOURS AFTERPAYMENT ONCE THE ITEM IS RECEIVED PLEASE LEAVE FEEDBACK AS THIS WILL NOTIFYME YOU HAVE RECEIVED THE ITEM FORFURTHER QUIRIES PLEASE CONTACT ME PLEASEVIEW MY OTHER ITEMS I always include photos of the actual item for sale. They areoriginal issues unless stated, andare from my personal collection. These have been in storage since 2010 and notplayed for that period only played recently for grading purposes. Please note that most used vinyl records have a little surface noiseor crackle regardless of age/condition. In the unlikely event that there is a problem for any reason you areunsatisfied with the record you receive, please email me before leaving feedback (or opening anydispute), as any problems can be resolved. RecordCollector Magazine's/ Goldmine Standard Grading Guide: "MINT: The record itself is in brand newcondition with no surface marks or deterioration in sound quality. The coverand any extra items such as the lyric sheet, booklet or poster are in perfectcondition. Records advertised as Sealed or Unplayed should be Mint. Near Mint (NM or M-) : A nearly perfectrecord. Many dealers won't give a grade higher than this implying (perhapscorrectly) that no record is ever truly perfect. The record should showno obvious signs of wear. A 45 RPM or EP sleeve should have no more thanthe most minor defects, such as almost invisible ring wear or other signs ofslight handling. An LP cover should have no creases, folds, seam splits orother noticeable similar defects. No cut-out holes, either and of course, thesame should be true of any other inserts, such as posters, lyric sleeves andthe like. An LP in near mint condition looks as if you just got it home from anew record store and removed the shrink wrap. Near Mint is the highest pricelisted in all Goldmine price guides. Anything that exceeds this grade, in theopinion of both buyer and seller, is worth significantly more than the highestGoldmine book value. EXCELLENT: The record shows some signs of having been played, but there isvery little lessening in sound quality. The cover and packaging might haveslight wear and / or creasing. In general, ifnot for a couple things wrong with it, this would be Near Mint. Very Good Plus(VG+): Generally worth 50% of the NearMint value. A Very Good Plus record will show some signs that it was played andotherwise handled by a previous owner who took good care of it. Record surfacesshow some signs of wear and have slight scuffs or very light scratches thatdon't affect one's listening experiences. Slight warps that do not affect thesound are "OK". The label may have some ring wear or discoloration,but it should be barely noticeable. The center hole will not have beenmisshapen by repeated play. Picture sleeves and LP inner sleeves will have someslight wear, lightly turned up corners, or a slight seam split. An LP cover mayhave slight signs of wear also and may be marred by a cut-out hole, indentationor corner indicating it was taken out of print. VERY GOOD: Therecord has obviously been played many times, but displays no majordeterioration in sound quality, despite noticeable surface marks and the occasionallight scratch. Normal wear and tear on the cover or extra items, without anymajor defects. Good Plus(G+):Generally worth10-15% of the Near Mint value. Good does not mean Bad! A record in Good or GoodPlus condition can be put onto a turntable and will play through withoutskipping. But it will have significant surface noise and scratches and visiblegroove wear (on a styrene record, the groove will be starting to turn white). Acover or sleeve will have seam splits, especially at the bottom or on thespine. Tape, writing, ring wear or other defects will start to overwhelm theobject. GOOD: Therecord has been played so much that the sound quality has noticeablydeteriorated, perhaps with some distortion and mild scratches. The cover andcontents suffer from folding, scuffing of edges, spine splits, discolouration,etc. FAIR: Therecord is still just playable but has not been cared for properly and displaysconsiderable surface noise; it may even jump. The cover and contents will betorn, stained and / or defaced. POOR: Therecord will not play properly due to scratches, bad surface noise, etc. Thecover and contents will be badly damaged or partly missing. BAD: Therecord is unplayable or might even be broken, and is only of use as acollection filler.