Description Santana is the third studio album by Santana. The band's second self-titled album, it is often referred to as III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand. It was the third and last album by the Woodstock-era lineup, and it was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz and Latin music Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band's second album, Abraxas. This was also the album that brought guitarist Neal Schon -- who was 17 years old -- into the original core lineup of Santana. Percussionist Thomas "Coke" Escovedo was brought in to replace (temporarily) José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. The rest were Carlos, organist Gregg Rolie, drummer Michael Schrieve, bassist David Brown, and conguero Michael Carabello. "Batuka" is the powerful first evidence of something being very different. The band was rawer, darker, and more powerful with twin leads and Schon's harder, edgier rock & roll sound paired with Carlos' blend of ecstatic high notes and soulful fills. It cooks -- funky, mean, and tough. "Batuka" immediately transforms itself into "No One to Depend On," by Escovedo, Carabello, and Rolie. The middle section is highlighted by frantic handclaps, call-and-response lines between Schon and Rolie, and Carlos joining the fray until the entire track explodes into a frenzied finale. And what's most remarkable is that the set just keeps on cooking, from the subtle slow burn of "Taboo" to the percussive jam workout that is "Toussaint l'Overture," a live staple in the band's set list recorded here for the first time (and featuring some cooking Rolie organ work at its beginning). "Everybody's Everything" is here, as is "Guajira" and "Jungle Strut" -- tunes that are still part of Santana's live show. With acoustic guitars, gorgeous hand percussion, and Santana's fragile lead vocal, "Everything's Coming Our Way" is the only "feel good" track here, but it's a fitting way to begin winding the album down with its Schon and Santana guitar breaks. The album ends with a completely transformed reading of Tito Puente's "Para los Rumberos," complete with horns and frantic, almost insanely fast hand drumming and cowbell playing. It's an album that has aged extremely well due to its spare production (by Carlos and the band) and its live sound. This is essential Santana, a record that deserves to be reconsidered in light of its lasting abundance and vision. Santana ‎– Santana 3 Label: CBS ‎– SBP 234036 Format: Vinyl, LP, Album Country: Australia Released: 1971 Genre: Jazz, Rock, Latin Style: Jazz-Rock, Psychedelic Rock, Latin Jazz Track-list: A1Batuka Written-By – Santana 3:35 A2No One To Depend On Tambourine – Greg Errico Written-By – Escobedo*, Carebella* 5:25 A3Taboo Written-By – Rolie*, Areas* 5:40 A4Toussaint L'Overture Written-By – Santana 5:54 B1Everybody's Everything Backing Vocals – Linda Tillery Horns – Tower Of Power Horn Section Written-By – Santana*, Brown*, Moss* 3:30 B2Guajira Engineer – David Brown (14) Piano – Mario Ochoa (2) Vocals – Rico Reyes Written-By – Brown*, R. Reyes* 5:50 B3Jungle Strut Engineer – David Brown (14) Written-By – Ammons* 5:19 B4Everything's Coming Our Way Backing Vocals – Linda Tillery Written-By – Santana* 3:19 B5Para Los Rumberos Trumpet – Luis Gasca Written-By – Puente 2:44 Credits: Carlos Santana – guitar, vocals, producer Neal Schon – guitar, producer Gregg Rolie – keyboards, piano, lead vocals, producer David Brown – bass, producer, engineer Michael Shrieve – drums, percussion, producer José "Chepito" Areas – percussion, conga, timbales, drums, producer Mike Carabello – percussion, conga, tambourine, vocals, producer Additional personnel: Rico Reyes – percussion, vocals, lead vocals on "Guajira" Thomas "Coke" Escovedo – percussion, vocals Luis Gasca – trumpet on "Para Los Rumberos" Mario Ochoa – piano solo on "Guajira" Tower of Power – horn section on "Everybody's Everything" Linda Tillery – background vocals Greg Errico – tambourine John Fiore – engineer Notes: Untitled Australian release of Santana 3. *Collectors Availability Rating: 9 (Legend 1=Common 10= Rare) *Cover: Good *Record: some inner sleeve ghosting and some surface marks does not effect sound quality. VINYL ALBUM GRADING/CONDITION- This album 6+ Guidelines for assessing the grading / condition of used records (based on Goldmine Grading for Records) MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it. NEAR MINT or NM, M- : this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be. EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade. VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned. VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent. GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the cover is worthless.On a scale from 1 (Poor) to 10 (Perfect) the above gradings are equivalent to: MINT - 10, Near Mint - 8, Excellent - 7, Very Good Plus - 6 , Very Good - 5 , Good - 2