Description isnw_ecp ARTIST: TOMMY OLIVENCIA & ORQUESTA w/CHAMACO RAMIREZ & PAQUITO GUZMAN TITLE: JALA-JALA Y GUAGUANCÒ..... (MY NOTE: & BOOGALOO) LABEL & RELEASE YEAR: TIOLY #1002 (1966) RECORD CONDITION: MOST OF THE TRACKS ARE VG+ AND BETTER...ONLY 1 TRACK HAS A MANUFACTURER DEFECT AT THE BEGINNING, (TRACK #1 "CALYPSO Y JALA-JALA... 1/3 BACKGROUND NOISE, BEGINNING), ALSO I HEARD 1 SKIP AT THE END OF TRACK "GUADALUPE"...REST ARE VG+ TO VG++.....GLOSSY!!! A FEW HAVE LIGHT CLICKS...NOTHING SIGNIFICANT!....HEAVY VINYL!.....2 SOUND CLIPS PLAYERS INCLUDED! LABELS CONDITION: NM! COVER CONDITION: NO SPLITS, LIGHT "AGE" WEAR!.... INCREDIBLE!...UPON RETURNING FROM PUERTO RICO 2 DAYS AGO (WHERE I FOUND A FEW CLASSICS TO BE POSTED NEXT WEEK) AN AIRPORT SECURITY OFFICER NOTICED THE LPs AND ASKED ME WHERE DID I FOUND THE 2 TOMMY OLIVENCIA RECORDS AND INFORMED ME THAT BY A COINCIDENCE, PAQUITO GUZMAN WAS IN THE SAME DEPARTING GATE (TO TAMPA)....BESIDES THE WHITE HAIR HE LOOKS GREAT!....HE DEDICATED AND SIGNED BOTH LPs THAT THE SCAN SHOWS....I ONLY REGRET NOT TAKING A PHOTO TO INCLUDE IN THIS POSTING!!!! QUE COINCIDENCIA!!!!! TOMMY AND CHAMACO ARE BOTH DEAD. SIDE A: 1 CALIPSO Y JALA JALA (JALA-JALA) 2 PEPE EL TORO (GUAGUANCO) 3 TUS MEJORES HORAS (BOLERO) 4 AT THE PARTY (BOOGALOO) 5 TREMENDO GUAGUANCO (GUAGUANCO) 6 BOMBA DEL SOLAR (BOMBA-PLENA) SIDE B: 1 EL TITERE (GUAGUANCO) 2 NO ME MOLESTES MAS (GUAJIRA BOOGALOO) 3 POR QUE TE VAS? (BOLERO) 4 MI BOOGACHA (BOOGALOO) 5 GUADALUPE (PACHANGA) REMARKS: TRY TO FIND THIS "MONSTER" CLASSIC, RARE LP (MASTER LOST!) DESERVES THE TRUE STORY OF ITS RECORDING! (TIOLY LABEL TAKEN FROM TOMMY OLIVENCIA): Sin embargo, su primer trabajo completo junto a su agrupación vio luz en 1962, "Trucutú", cantando Chamaco Ramírez y Paquito Guzmán y hecho para el sello Tioly, propiedad de Tommy Olivencia. Esta producción tardó varios ańos en publicarse por problemas presupuestarios. "Era difícil porque yo empecé a grabar y no tenía dinero. Entonces aparece Henry Dock, un francés que nos ofrece un viaje a Martinica y Guadalupe para grabar en un teatro, pero después que lo tiene todo preparado varios músicos protestaron porque querían cobrar primero y se detuvo la grabación. Yo me reuní con él y acordamos que grabaría en Puerto Rico y le enviaría una copia", cuenta. La grabación del disco, que incluyó los temas "La comay", "Este guaguancó" , "No molestes más", "Tommy's Special", "Casabe con longaniza", "Oye mi consejo", "Busca otro amor", "Lloré por ti", "Mi Puerto Rico", "La vecina del lado" y "Trucutú", se hizo en el estudio Mayoral, ubicado al lado de las viejas instalaciones de Wapa Televisión, en Santurce. "Le envíe una copia al francés a Martinica y me quedé con los originales. Él lo sacó allá y yo se lo vendí en Puerto Rico a los representantes del sello Gema en $150, pero hubo problemas y nunca lo sacaron, así que lo volví a vender hasta que lo logré lanzar. Había pasado un año yo estaba pegao' en la radio con 'Trucutú' porque lo había sacado antes en (formato de) 45 rpm", anade. De hecho la primera producción musical de Tommy Olivencia titulada “La Nueva sensación Musical de Puerto Rico” se publico en 1965 con los cantantes Chamaco Ramírez y Paquito Guzmán. Los integrantes de la orquesta fueron: Tommy Olivencia - Director, Trompeta; Jorge Carcano – Piano; Lin Torres – Bajo; Jimmy Santos - Sax alto; Wilfredo De La Torre - Sax tenor; Paquito Joubert – Trompeta; Agustín Antomattey – Trompeta; Ender Dueno – Timbal; David Cortijo – Conga; Vitín Colón – Conga; Papy Fuentes – Bongo; Coros: Roy Rosario y Nacho Sanabria. Este trabajo estuvo seguido por el álbum "Jala-jala y guaguancó" (1966), un proyecto musical del sello Tioly, concentrado en la interpretación de boogaloos, calipsos, guaguancó, guarachas y boleros, interpretados también por el binomio de Chamaco Ramírez y Paquito Guzmán. En 1967 aparece el disco "Fire-fire", el trabajo que representó la consagración de la orquesta en el mercado disquero -logrando altos niveles de venta- y su internacionalización. Para entonces, la crítica musical se refirió a la banda de Tommy Olivencia como "la afamada orquesta que se ha ganado un sitial de preferencia ante el público radiotelevidente, bailador y comprador de discos" (Manolín Martínez, WVOZ-Radio Voz). En 1968 grabado igualmente para Inca, se publica el álbum “Tommy Olivencia y su Orquesta: A toda máquina”, en esta ocasión los cantantes son Paquito Guzmán y Sammy González, ", incluyendo los temas "Homenaje a los clavos", "Eso no puede ser", "Guajira y montuno", "Sin compromiso", "Tú no haces falta", "Como cambia el tiempo", "Jure", "La banda de Tommy", "La soga", y "La china". Este trabajo presentó, además, un cambio en la batería vocal de la orquesta. A partir de este momento sale del panorama la figura de Chamaco Ramírez (considerado como uno de los grandes soneros del país), siendo sustituido por Sammy González ("El Rolo"), un joven cantante que había grabado una producción con El Combo Moderno y quien participó como corista en la producción de "Fire-fire". La combinación de Sammy González y Paquito Guzmán reaparece en el disco "Cueros, salsa y sentimiento" (1971), del que se tornó en éxito los temas "Debate", "Vida consentida", "Cuero na má", "Alma con alma" (en una nueva versión). Luego aparece "Secuestro" (1972), el último trabajo que realiza Sammy González y que derivó los éxitos "Ramera", "Me voy contigo" y "La fiesta de soneros", este último con la colaboración de Cheo Feliciano. Aunque en estas últimas grabaciones Tommy Olivencia aparece en los créditos como instrumentista, lo cierto es que desde ese momento el líder de la orquesta fue alejándose de su instrumento para concentrarse en el trabajo de dirección. "Nunca fui primera trompeta, además tenía que practicar el instrumento todos los días y también encargarme de la orquesta y dirigir. Aparte de que para ese tiempo me hice una platificación en la boca que me danó la embocadura y se me hacía difícil llegar a un la y fui perdiéndole interés al instrumento", asegura. A ediados de los ańos 70, la orquesta de Tommy Olivencia comenzó a alcanzar popularidad fuera de Puerto Rico. De pronto, la banda fue reclamada en Perú, Colombia y Panamá; los niveles de venta de sus discos comenzaron a elevarse y se consolidó su presencia en el mercado. Para entonces, producen el álbum "Juntos de nuevo" (1974), que marcó el regreso de Chamaco Ramírez, quien junto a Paquito Guzmán cosechó éxitos como "Doroteo", "Un poco más" y "Palante otra vez". No obstante, el momento de gloria más trascendental de la orquesta se logró con el disco "Planté bandera" (1975), producido por Luis Perico Ortiz, un trabajo que se convirtió en clásico para los salseros, con temas como "Casimira", "Como novela de amor", "Planté bandera", "Evelio y la rumba" y una nueva versión de "Trucutú", entre otros. Los éxitos de Tommy Olivencia continuaron, aunque su orquesta sufrió cambios en su formación vocal. En 1976, los cantantes Chamaco Ramírez y Paquito Guzmán abandonaron el grupo, siendo reemplazados por Simón Pérez y Lalo Rodríguez, este último enviado a buscar directamente a California como un acuerdo entre Jerry Masucci (jeque de Fania, propietario del sello Inca) y Harvey Averne (director de Coco Records, sello al que estaba adscrito Lalo Rodríguez). FROM THE WEB : For nearly half a century, Olivencia's band acted as an incubator for various notable salsa singers, including Chamaco Ramírez, Paquito Guzmán, Lalo Rodríguez, Marvin Santiago, Gilberto Santa Rosa, Frankie Ruiz and Héctor Tricoche. Olivencia began as a singer, but preferred the role of trumpeter and musical director. After recording with a frontline of three trumpets and two saxes (alto and tenor) in the mid-'60s, he opted for trumpets and trombones in the mid-'70s, and used a combination of three or four trumpets and two trombones on most of his albums after 1978. Tommy released his early recordings on his own Tioly label (2 LPs). He signed with Pedro Pai and Jorge Valdés' Inca Records label (GREEN LABEL, LATER SOLD TO FANIA WHICH CHANGE TO LABEL COLOR TO YELLOW/BLACK) He switched to TH (Top Hits) Records (which became TH-Rodven in 1987ecords. FROM THE POPSIKE WEBSITE: (ALL WON ON EBAY) TOMMY OLIVENCIA Y SU ORQ CHAMACO/PAQUITO JALA JALA Y GUAGUANCO/BOOGALOO -TIOLY #1: End price:USD$153 End date: 2012-09-12 Start price: USD $100 Number of bids: 6 Auctioned at: ebay (VG+/VG+) #2 End price: USD $114 End date:2014-01-03 Number of bids:11 Auctioned at: ebay Label: Tioly Jacket: VG+ (seam fraying; corner wear; 3" bottom seam split; lt. stain on back) Record: EX #3 End price: USD $80 Number of bids: 8 COVER GRADING: VG/P/TB VINIL GRADING: VG+/LS THERE'S A POSTING RIGHT NOW ON EBAY (only one!) check it ($130.00) with two drill holes on a track!!! GENERAL COMMENTS: Before asking condition questions check the grade and our grading scale below. Check our other items, buy multiple items and get a shipping discount. All records are visually graded, A FEW TRACKS ARE PLAYED, NOT ALL. We do not have the time to play ALL TRACKS or grade each individual track (impossible task due to the time it takes but the grading should be the most accurate possible...a sound clip is included!. NEW EBAY REGULATION: If you are unhappy with the condition please contact us first and give us an opportunity to make everything right. We will give our full effort to make you happy. We grade similar to the Goldmine record grading standards. SHIPPING: Please use the shipping calculator under the shipping and payments tab above to get a price quote for international shipping. If you have trouble please contact us. If you are buying more than 1 item please e-mail us for a shipping discount quote. When you are all done shopping contact us, or submit a request for total and we can update your total to reflect your shipping discount. NOW PRIORITY MAIL INCLUDES FREE INSURANCE!!!...IF YOU THINK THAT YOUR RECORD IS VALUABLE PLEASE SEND $1.75 FOR INSURANCE!!!...PRIORITY MAIL (FASTER) NOW INCLUDES A $50.00 INSURANCE!!!! INTERNATIONAL BIDDERS: IF YOU WIN PLS. ASK FIRST FOR INVOICE BECAUSE IF THE LP PACKAGES IS LESS THAN 1.2 # YOU COULD SAVE $6.00 IN SHIPPING AND HANDLING!!! VINYL GRADING SCALE: Near Mint (NM) (Jacket) If the jacket is sealed there may be some minor corner damage from storage, it may or may not have the shrink-wrap, but the jacket itself will be in pristine condition. The corners will show very little wear (there will be no fraying) and will still be somewhat pointy to the touch. The cover will show no more than very minor dents or some single creases, no full bends that will cause multiple creases/damage. There will be no visible ring wear. No writing, rips or tears on the cover or seams. No bubbling, water/mold stains or peeling of the cover in any way. The inside of the gate-fold will be in the same condition. Cutout bin punches, price stickers, staples would start being listed at the NM category and would be noted accordingly as they affect the jacket itself. (LP) You should not hear any surface noise (snaps,crackles, pops) when you play the record. There will not be any skips or repeats. The LP will retain that just opened appearance. There may be a surface blemish or two, but they will not have any affect on the sound. There will be no warping. There will be no major blemishes, light or deep scratches. The label will be free of writing and stains. There should be no spindle marks. Excellent (VG++) (Jacket) May or may not have shrink-wrap but the jacket itself will still be in beautiful condition. The corners will have minimal wear (no fraying).There may be minor dents and creases . Light scratches could be on the jacket, but nothing severe. Depending on age some discolor/yellowing may show, but will not be overbearing. Ring wear should be very minimal or non-existent...no dark, full, half, or quarter rings. No writing rips or tears. No bubbling, water stains or peeling of the cover . All inner gate-folds will be in similar condition. (LP) You should not hear any sustained surface noise (snaps,crackles, pops) when you play the record. There will not be any skips or repeats. The LP will retain its most of it's glossiness and will appear like new. There may be a few surface blemishes, or a stray light scratch that may cause a moment of crackling, but nothing prolonged, and instances of this will be few. Often this will mostly occur only at the beginning of the groove on each side where the needle dropped. There will be no warping. There will be no deep scratches. There may be minor spotting or fog, but it will not affect the sound. The label will be free of writing and stains. Minimal spindle marks. Very Good Plus (VG+) (Jacket) May or may not have shrink wrap. There may be some easier to see imperfections, though nothing that will detract from the overall appearance in a major way. The corners will have some wear and there may be the beginnings of fraying but not full on. Some dents/creases or scratches may be noticeable, but nothing too pronounced. There could be noticeable discolor/yellowing .There may be some minor ring wear at the top and bottom; again you would have to look for it. No writing, rips or tears. Possibly some light bubbling. No water/mold stains or peeling of the cover in any way. (LP) There may be some blemishes, maybe a scratch or two, but nothing too deep. It will not cause the record to skip or repeat. There will be no prolonged surface noise. There may be some minor warping but it will have no affect on the listening experience at all. Chances are there will be spindle marks. A VG+ record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Very Good (VG/VG-) TO BE SOLD AS IS!!! (Jacket) May or may not have shrink wrap. There will be some easier to see imperfections, though nothing that will detract from the overall appearance in a major way. The corners will have some wear or fraying possibly causing seam splitting close to the seam. There may be split seams on any side. Usually not full side splits though. Sometimes they may be fixed by tape, sometimes not. Some dents/creases or scratches will be noticeable on the jacket, sometimes pronounced. Discolor and yellowing can be commonplace, as are smaller water/mold stains and some bubbling. There maybe a smaller tear on the cover, but nothing overly pronounced. Ring wear will certainly be pronounced. There may be some writing/defacing, but it will be minor. (LP) There will be some blemishes, and some few scratches. They should not be at the feel-able stage though. There could be a skip or repeat, but only one or two at most. More often the deeper scratches will cause more frequent and prolonged surface noise. There may be some warping but it will not cause the needle to jump. Chances are there will be spindle marks. A VG/VG- record will obviously have been played and occasionally handled roughly by the original owner. INTERNATIONAL BIDDERS PLEASE ASK FOR INVOICE FIRST...THE SHIPPING COST WILL CHANGE TO LESS IF THE PACKAGE WEIGHTS LESS THAN 1.2 POUNDS (#) SHIPPING & HANDLING CHART: # LPs 1 2 3 4 5 6 7 or More U.S.A MEDIA * $4.00 $4.25 $4.25 $4.25 $4.50 $4.50 ASK U.S.A PRIORITY * $10.00 $11.00 $13.00 $12.00 $16.15 16.50 ASK CANADA $12.00 $15.00 $18.00 $19.00 ASK ASK ASK EUROPE $19.99 $22.00 $26.50 $30.00 ASK ASK ASK ASIA $19.99 $22.00 $26.50 $30.00 ASK ASK ASK AUSTRALIA $19.99 $22.00 $26.50 $30.00 ASK ASK ASK MEXICO $17.00 $20.00 $25.00 $29.00 ASK ASK ASK CARIBBEAN $17.00 $22.50 $25.00 $29.00 ASK ASK ASK SOUTH AMERICA $17.00 $22.50 $25.00 $29.00 ASK ASK ASK NOTE: INTERNATIONAL BIDDERS/BUYERS...PLS. ASK FOR INVOICE FIRST YOU CAN SAVE UP TO $6.00 PER LP IF THE BOX WEIGHT IS LESS THAN 1.2 LBS.!! *INCLUDES U.S. POSTAL TRACKING #......GATEFOLD COVER COUNT AS 2 LPs NEW: PRIORITY MAIL NOW INCLUDES FREE INSURANCE AGAINST LOSS & DAMAGE!!! Powered by eBay Turbo Lister The free listing tool. List your items fast and easy and manage your active items.